Author: markswritingcorner

Mark Ahern was born in 1979 and is from Ireland. He attained a Degree in Commerce from UCD in 2000 and a Masters in European Studies in 2001. He has written three novels to date encompassing science fiction and thrillers. At times Mark has used his experiences as an individual with a disability to write from a truly unique perspective. "Chronicles of Martan" which is his sole science fiction work to date, is an epic space odyssey inspired by his love of Star Wars. This was followed by "Not the Usual Suspect" and "Paradigm". His current project is called "The Irish Ripper" and should be available late 2019.

Distant Love (Part 53)

Derek marvels at the display of the base. The miniature buildings on the moon have all been made to the exact specifications. It even shows little people going back and forth between them, carrying out routine maintenance and other functions. He is most interested in the spaceport. This is where human exploration and colonization would expand to Saturn and beyond. Then there is the Le Poitre telescope that scans for habitable new worlds in the galaxy. He could have spent the whole day absorbed in that base, but there was so much more to see at the exhibition.

He looks up to see which moon he will look at next. The woman with the tattoo that had been on the train is standing there looking at him, but disappears into a crowd passing by.

Derek thinks little of it. Due to medical advances, there are very few people in wheelchairs. Even less on the moon. The odd time, Derek would find himself followed by someone enamored by his chair. Life is too short for him to worry about it.

He powers his chair over to the volcanic moon lo and watches intently as lava oozes over the surface. The realism is beyond his expectations.

Festive Updates: My Creative Projects in Progress

Hi everyone, I hope you are all enjoying the festive spirit. Personally, I love this time of year and having some time off. It’s great to catch up with people, also.

I like giving these updates every six months or so on all my projects. Occasionally, these posts prove really popular. Other times, I’d be lucky if anyone apart from myself reads it at all. Such is life, I guess. First, an update on my longer-term projects.

Wheelchair Wars

This has now been fully critiqued. I am about to employ a successful author to read through it to see how it could be improved. I’m aiming for the stars.

Romance Short Stories

Critiqued, but I need to work through the suggestions and rewrite as appropriate. Hopefully, this will be significantly improved over the holidays

Pegasus

The first draft is complete; the next needs to go through the critique process.

Distant Love

First draft being written.

The blog itself is going quite well. Last year, it received 1,746 views. It’s looking like this year will be more like 2,746. Still, quite a way to go to become profitable, but moving in the right direction.

I have 2,700 followers on Bluesky. Hoping to get that up to the 5k range by next year.

Plenty of things planned for next year, and hopefully, see you there!

Mission: Impossible – The Final Reckoning: A Review of Epic Action

Ladies and gentlemen, Tom Cruise is back as Ethan Hawke in Mission: Impossible – The Final Reckoning, and he’s back with a bang. This dropped on Sky only yesterday, and I was immediately psyched up to watch it. You know what you are going to get – great action scenes.

From Wikipedia:

Mission: Impossible – The Final Reckoning is a 2025 American action spy film directed by Christopher McQuarrie from a screenplay he co-wrote with Erik Jendresen.[7][8] It is the direct sequel to Mission: Impossible – Dead Reckoning (2023) and the eighth installment in the Mission: Impossible film series. The film stars Tom Cruise in his final portrayal of Ethan Hunt,[9] alongside an ensemble cast including Hayley Atwell, Ving Rhames, Simon Pegg, Henry Czerny and Angela Bassett.[10][11] In the film, Hunt and his IMF team continue their mission to prevent the Entity, a rogue artificial intelligence, from destroying all of humanity.

Imagine if your toaster became sentient, hacked the world’s nuclear codes, and then asked nicely for world domination. Now replace the toaster with The Entity, a rogue AI that threatens to blow up everything except dessert buffets. Ethan Hunt is all that stands in its way.

It’s a long film. I mean, very long at a running time of 170 minutes. Personally, I watched it over two days and thoroughly enjoyed it. One sitting would be a significant endurance test.

The action scenes are what really set this apart. The underwater cinematography is incredible, as are the shots on the planes. Additions to all the great shots and stunts Tom Cruise has given us over the years.

On that subject, we do get quite a few flashbacks of previous films. Much like a tribute to the franchise’s greatest hits.

I give the film five stars out of five. It’s like Tom Cruise.

Do you agree? Do let me know.

Distant Love (Part 52)

Now, there is little standing space left, and Derek’s concern has grown about someone falling on him by accident. He tries to put concerns such as those to the back of his mind. There is only one stop left. He has nearly made it and can already feel a slight deceleration.

The doors open, and the packed crowd jostles its way out with him following closely behind. He has reached Zone A. The largest settlement on the moon. All the passageways are filled with a mass of people. The settlement is composed of fifteen layers, with him currently at the lowest level.

He sees a sign for the Jupiter Fair. It leads him off the main thoroughfare and down a tunnel. After going about a hundred metres, he hears cries of excitement ahead. His own heart begins to beat a bit faster.

The tunnel opens up into a vast chamber. A massive holographic display of Jupiter and its moons is centre stage with throngs of people everywhere. It’s even better than he could have dreamed of.

He knows where he wants to see first – Europa and its human settlement. He powers past the small outer moons for now and heads straight towards it.

Four-Star Movie Review: Fun Light Entertainment

Hello, my dear readers. Guess you are all looking forward to Christmas right about now. I finished this gem called “The Adams Project” last night and thought I’d do you all a quick post. It’s been a while. What can I say? Alcohol comes first.

The plot zips around like it’s had too much coffee—time travel, futuristic jets, evil corporations—but it never forgets to slow down for heart. The real secret weapon is the banter between adult Adam and his younger self, which feels like watching your inner monologue argue with you in real time. It’s funny, oddly touching, and painfully accurate.

One of the funniest parts is where he convinces his younger self to stand up to a bully, only to get pummeled. Of course, that could be my strange sense of humor..

The film is quite uplifting, never getting particularly dark. His being mean to his Mum is about the worst of it, and he gives her a big hug at the end. The action scenes are good and will keep your heart beating away.

A small bit of romance, but it never gets in the way. Down with that sort of thing.

Four stars out of five for me. Good light entertainment.

Liam Neeson is superb in Memory (2022 film)

Liam Neeson is back in action in the 2022 film, Memory. Like seriously, this guy is a film-making machine at this stage. In this one, he stars as a septuagenarian hitman called Alex Lewis who is—plot twist—forgetting things. Not metaphorically. Not “I forgot where I put my keys.” We’re talking medically, tragically, narratively, forgetting things. Which is bold, because the man’s entire cinematic brand is “I will find you,” and now the movie dares to ask: but what if he occasionally forgets why?

Alex is hired for a job that he doesn’t really want to take, only to discover that the target is a child. In a move that instantly promotes him from “professional killer” to “professional killer with ethics,” he refuses the hit. He gives a warning that the girl is to be left alone. When another contract killer completes the task and goes after him, he turns his very specific set of skills on the people who ordered it. Meanwhile, his memory is deteriorating faster than a phone battery in the cold, forcing him to leave himself notes like a lethal, cardigan-wearing version of Memento.

This is where the movie shines. Instead of pretending Neeson is still 30, Memory leans into age, regret, and cognitive decline—and somehow makes them tense, sad, and weirdly wholesome.

The action is grounded, tense, and refreshingly free of superhero nonsense. Neeson doesn’t leap off buildings—he moves with purpose, like a man who knows his knees won’t forgive him later. Every fight feels heavy, deliberate, and earned.

The supporting cast (including Guy Pearce and Monica Bellucci) adds gravitas, though let’s be honest: this is Liam’s movie, and everyone else is just trying not to get emotionally or physically outmatched.

Oh, and the ending is perfect.

The best film I’ve seen in some time. Five stars out of five from me.

Have you seen it? Let me know what you think.

Distant Love (Part 51)

He now continues down a long ramp to the underground corridor that leads to the nearest lunar train station. He is more or less alone, except for some stragglers that he powers past.

The corridor is bright and white. Ten minutes pass, and he hears the bustling of a crowd in the distance. For a split second, he worries there will be no space for him. Fortunately, an echo has made it sound far busier than it is.

There is a group of six teenagers to his right. A mixture of girls and boys is laughing hysterically. He put them at around fifteen years of age.

To his left, a woman close to his age with short, jet black hair and tattoos on her arm.

I wonder if any of them are going to the fair.

He asks the AI on his wheelchair, Sarah, what time it is? He has time to spare.

Three minutes pass, and the lunar train arrives. Its doors automatically open, and he drives inside to the area reserved for wheelchairs. The wheelchair is then clamped in place by a robotic arm.

A smile broke out across his face as his excitement built.

There were numerous stops along the way. Each time, the crowd on the train grew.

Review of the film Priest (2011)

Don’t worry, readers, I haven’t gone all ultra-religious on you. Priest (2011) is the kind of movie you’d get if a graphic novel, a goth rave, and a spaghetti Western walked into a bar, got drunk, and decided to raise a CGI vampire baby together.

This could be a good film to show Muslims and people of other faiths. You know, to convert them to Christianity. Of course, we’d have to tell them the more boring reality at some stage. Like, no, you don’t get to kill vampires.

The vampires themselves are pretty odd. Not like ordinary vampires. They have no eyes, and walk on all fours. More like some crazy aliens.

The story has nothing to do with reality, of course. It’s way out there, and that’s bad coming from me.

From Wikipedia –

A centuries-long war between humans and vampires devastated the planet’s surface and led to a theocracy under “The Church”. Despite vampires’ vulnerability to sunlight and humans technological advancements, their strength and speed made them impossible to defeat until humanity sheltered in walled cities and trained elite warriors, the Priests, who turned the tide. After the war, most vampires were killed, while the remainder were placed in reservations. After the war, the Clergy abandons the surviving Priests, who struggle to integrate into city society. Outside the walled cities, some humans seek out a living, free from The Church’s totalitarian control.

One particular Priest (only referred to as Priest) is approached by Hicks, the sheriff of a free town, Augustine. Hicks informed Priest that a vampire group killed Priest’s brother Owen and his sister-in-law Shannon, and kidnapped his niece Lucy. Being in love with Lucy, Hicks asks for Priest’s help in rescuing her. Priest asks the Clergy to reinstate his authority, but leader Monsignor Orelas refuses, dismissing the vampire story. Priest leaves the city and Orelas sends three Priests and a Priestess to bring him back.

Paul Bettany stars as a warrior priest in what I would consider to be a good performance. Some of the action scenes are quite brilliant. There were times, though, when a bit too much CGI was used.

I give the film four stars out of five. A great way to spend a spare hour and a half.

Have you seen it? Let me know in the comments.

Distant Love (Part 50)

Derek methodically gets dressed and transfers into his electric wheelchair.

He looks out at the barren moonscape. If this were Earth, something would have changed over the years, perhaps even from day to day. But not here. Exactly the same as the first time he looked out. At times, he would wish for a micro-meteor to add a new rock or small crater to the scene. Today, it would not bother him as there would be plenty of new things to see.

The fair was in Zone A. It was one hundred and fifty kilometres away. A serious lunar trek made easy by lunar rail. He checks his watch and smiles – plenty of time.

Moving his joystick, the wheelchair powers out of his room. He looks down at the floor beneath him. As expected, it is largely deserted at this early hour. A strong smell of detergent lingers in the recycled air from the robotic cleaners whose shift had just ended.

Driving past his workplace, he chuckles at all the work he left for the new girl, Nathalia. He knew she wouldn’t be impressed when her shift started.

Next, he went down on the lift to the main communal area. Later, the place would be bustling with traders and people coming and going. He was happy to get ahead of it all.

Colin Farrell’s Haunting Performance in a Macau Gambling Drama

Some films linger in your mind long after you would think. They make you think, leaving a permanent mark on your mind. Ballad of a Small Player is one of those films. It reminds me of Leaving Las Vegas, except this time a gambling addict rather than an alcoholic is the central figure. And it’s set in Macau, the gambling Mecca of China.

Colin Farrell is back! His first film in quite some time. He gives a committed, raw, and deeply haunting performance as Brendan Reilly, aka Lord Doyle — a once-privileged con man now at the mercy of his gambling addiction and debts. He embodies both the swagger and fragility of a man on the brink.

His luck has deserted him, and the walls are closing in on all sides. Reilly meets Dao Ming, an enigmatic credit broker.

Comforted by Reilly after one of her despondent clients jumps to his death, a guilt-stricken Dao brings him to a temple on the water for the first night of the Ghost Festival. Though she fears her own luck has run out, Reilly believes his fortune can turn in both their favor. However, he wakes up alone with a number written on his hand.

What follows is a complex, somewhat fantastical tale about a gambler whose fortune changes when he needs it most. But now he fears for his soul as he engages in a dangerous waltz to come out the other side.

I give the film four stars out of five.

Have you seen it? Let me know what you made of it in the comments.