Category: Reviews

Why The Last Jedi Stands Out in Star Wars Saga

Believe it or not, it turns out that I missed some of the Star Wars films. And, perhaps you have too. They don’t appear on anything, except Disney, so they are easily missed. At least, I had two good films to watch. Always look on the bright side of life, eh.

Star Wars: The Last Jedi is the cinematic equivalent of showing up to a family reunion and discovering that Uncle Luke has undergone a profound philosophical transformation, dyed his hair gray, and now has very strong opinions about the Jedi Order. And honestly? It’s not the best part of the film. Uncle Luke is a bit too entrenched for my liking.

Visually, the movie is absolutely gorgeous. Every frame looks like it was designed to be someone’s desktop background. The red-and-white battlefield on Crait is striking, the space battles are inventive, and the quieter moments are given room to breathe. From an Irish perspective, the scenes on Skellig Michael are fantastic. We’re going to have yanks visiting these shores for many years to come.

Rey and Kylo Ren are the central characters of this film, and it is clear that this is their trilogy. Good versus evil, the light versus the darkness. Except, there is a bit of grey in both of them, leaving you unsure what way things are going to end up.

Most of all, this film is great entertainment for all ages. I give it four stars out of five.

Have you seen it? Let me know what you think.

Exploring _The Salt Path Scandal_: A Review

Well, readers, I watched this gem on Sky earlier. The first few minutes revisit what had been a best-selling book, later turned into a starring Gillian Anderson.

The show lulls you into a tranquil daze. There are drone shots of cliffs that look like they’ve been photoshopped by the concept of serenity itself. Gentle strings hum. Someone says something earnest about “healing.” You exhale. It’s about a 650-mile walk you can do in the South West of England as told by Raynor Winn. She had just lost her house, and her husband was diagnosed with a terminal illness. The walk was transformative.

And then—record scratch—a talking head appears to ask a question so sharp it could open tinned beans: “But did that actually happen?” From there, The Salt Path Scandal becomes less a journey and more a brisk hike through footnotes.

The documentary’s true star is its tone, which can best be described as polite British skepticism wearing a fleece. Nobody yells. Nobody lunges. Instead, the filmmakers deploy the deadliest weapon in the national arsenal: calm, persistent follow-ups. “Just to clarify,” a narrator says, with the menace of a librarian about to revoke privileges. Every “just to clarify” lands like a small pebble in your shoe—annoying, impossible to ignore, and increasingly painful over time.

You see, the book claimed to be a memoir. Like, it was supposed to be true. But once, a journalist, Hadjimatheou, probed a bit. Well, there were reasons to be skeptical.

Structurally, the series is a masterclass in pacing. Each episode introduces a claim, lets it bask in sunlight, then quietly rotates it to reveal a price tag, a date discrepancy, or a witness who remembers things… differently. It’s less gotcha journalism and more hmm, interesting journalism,

By the finale, you’re left amused, mildly scandalized, and deeply suspicious of any memoir. The truth is out there somewhere.

It gets four stars out of five from me.

Have you seen it? Let me know what you think.

Liam Neeson is superb in Memory (2022 film)

Liam Neeson is back in action in the 2022 film, Memory. Like seriously, this guy is a film-making machine at this stage. In this one, he stars as a septuagenarian hitman called Alex Lewis who is—plot twist—forgetting things. Not metaphorically. Not “I forgot where I put my keys.” We’re talking medically, tragically, narratively, forgetting things. Which is bold, because the man’s entire cinematic brand is “I will find you,” and now the movie dares to ask: but what if he occasionally forgets why?

Alex is hired for a job that he doesn’t really want to take, only to discover that the target is a child. In a move that instantly promotes him from “professional killer” to “professional killer with ethics,” he refuses the hit. He gives a warning that the girl is to be left alone. When another contract killer completes the task and goes after him, he turns his very specific set of skills on the people who ordered it. Meanwhile, his memory is deteriorating faster than a phone battery in the cold, forcing him to leave himself notes like a lethal, cardigan-wearing version of Memento.

This is where the movie shines. Instead of pretending Neeson is still 30, Memory leans into age, regret, and cognitive decline—and somehow makes them tense, sad, and weirdly wholesome.

The action is grounded, tense, and refreshingly free of superhero nonsense. Neeson doesn’t leap off buildings—he moves with purpose, like a man who knows his knees won’t forgive him later. Every fight feels heavy, deliberate, and earned.

The supporting cast (including Guy Pearce and Monica Bellucci) adds gravitas, though let’s be honest: this is Liam’s movie, and everyone else is just trying not to get emotionally or physically outmatched.

Oh, and the ending is perfect.

The best film I’ve seen in some time. Five stars out of five from me.

Have you seen it? Let me know what you think.

Colin Farrell’s Haunting Performance in a Macau Gambling Drama

Some films linger in your mind long after you would think. They make you think, leaving a permanent mark on your mind. Ballad of a Small Player is one of those films. It reminds me of Leaving Las Vegas, except this time a gambling addict rather than an alcoholic is the central figure. And it’s set in Macau, the gambling Mecca of China.

Colin Farrell is back! His first film in quite some time. He gives a committed, raw, and deeply haunting performance as Brendan Reilly, aka Lord Doyle — a once-privileged con man now at the mercy of his gambling addiction and debts. He embodies both the swagger and fragility of a man on the brink.

His luck has deserted him, and the walls are closing in on all sides. Reilly meets Dao Ming, an enigmatic credit broker.

Comforted by Reilly after one of her despondent clients jumps to his death, a guilt-stricken Dao brings him to a temple on the water for the first night of the Ghost Festival. Though she fears her own luck has run out, Reilly believes his fortune can turn in both their favor. However, he wakes up alone with a number written on his hand.

What follows is a complex, somewhat fantastical tale about a gambler whose fortune changes when he needs it most. But now he fears for his soul as he engages in a dangerous waltz to come out the other side.

I give the film four stars out of five.

Have you seen it? Let me know what you made of it in the comments.

Exploring the Thrills of Stranger Things Season 5 Episodes 1-4

Dear readers, the first four episodes of Season 5 dropped on Netflix a few days ago. And, well, I, being the TVaholic you all know and love, have watched them all.

The first thing to hit me was What the hell is happening again? It’s been so long since Season 4, and my mind has gone a bit rusty. A few minutes later, I was back at my A-game.

A quick reminder from Wikipedia –

After the events of the fourth season, in the fall of 1987, the group seeks to find and kill Vecna after the Rifts opened in Hawkins. The mission becomes complicated when the military arrives in Hawkins and begins hunting Eleven. As the anniversary of Will Byers’ disappearance approaches, the group must fight one last time against a new deadly threat.

It felt all nostalgic and warm to be back watching. Every now and again, it’s great to be reminded just how great the nineteen-eighties really were.

All the loved chair characters are back.

Millie Brown is once more stealing the show. Her relationship with Hop, a resounding theme. Still, there is so much more. You are kept on the edge of your seat, unsure what happens next. At times, especially in episode four, it can be terrifying.

Visually, Series 5 pushes the show to new heights. The Upside Down is more otherworldly and terrifying than ever, and the action sequences are some of the most ambitious in the show’s history. Yet despite the heightened stakes, the season never loses its grounding in friendship, loyalty, and coming-of-age struggles.

It’s well on the way to a high score.

Have you seen it yet? If so, let me know what you thought in the comments.

Why Madame Web Stands Out in Today’s Marvel Landscape

It’s been widely reported that Marvel films lost their shine over the last few years, and I’d agree. Each film seemed to be a rehash of the last one. And the CGI was too overboard. It’s also difficult to get excited when you know that superheroes are almost impossible to kill, so there’s little to really worry about.

Still, I went into my sitting room with an open mind. I’m nothing if not fair. And I’m so happy that I did. Madame Web is a uniquely refreshing entry in the modern superhero landscape—one that prioritizes character, atmosphere, and emotional resonance over the typical barrage of CGI-fueled spectacle.

A new story is finally being told. And she’s not invincible, but rather a haphazard time traveller. In fact, you see her death on more than one occasion. How refreshing. She is trying to protect three teenage girls, aptly played by Sydney Sweeney, Isabela Merced, and Celeste O’Connor. The dynamic between them, and the main character Cassandra Web makes the film. The trio exudes warmth, charisma, and a natural chemistry that gives the story an emotional core. Their scenes together are vibrant and often surprisingly funny, providing a wonderful contrast to Cassandra’s world-weary pragmatism. As their bond develops, the film gains a sense of heart that elevates the entire narrative.

Cassandra Web is played by Dakota Johnson of Fifty Shades fame. Thankfully, this film is much better. It gets five stars out of five from me. My first five stars in quite some time.

Have you seen it? Let me know in the comments.

Exploring Guillermo del Toro’s Frankenstein: A Modern Take

Ah, Frankenstein, the epic tale. It almost feels like a myth passed down thousands of years, rather than coming from the presumably seriously twisted mind of Mary Shelley back in 1818.

Now, it’s after getting the Netflix treatment. Frankenstein is a 2025 American Gothic science fiction film produced, written, and directed by Guillermo del Toro. It is a breathtaking reinterpretation of Mary Shelley’s iconic novel—faithful to its emotional core, yet bold enough to stand confidently as its own work.

From the start, the film establishes a chilling, immersive atmosphere that pulls you into a world where life, death, ambition, and heartbreak intertwine. It’s more than just a monster story—it’s a profound exploration of what it means to be human, and the cost of creating something you can’t control.

You see events unfold from two perspectives: the creator and the monster. In a way, they are each other’s mirrors. One is beautiful on the inside, hideous on the outside. The other is the opposite.

The acting is of a high quality. Oscar Isaac as Victor, the creator, and Jacob Elordi as the monster give powerful performances.

Even though it is a long film, many of the minor relationships feel rushed. Victor falling in love with his brother’s fiancée, and the brothers’ relationship misses the mark. The scene where the fiancée professes her love for Frankenstein is nonsensical. I can only presume important scenes were cut.

For that reason, it’s only three stars out of five from me. Read the book, it’s a classic.

Have you seen it? Let me know in the comments.

Exploring Football’s Greatest Con: King of Lies Episode 1

Hello, my dear readers. Took an annual leave today and decided that it was important for it not to be wasted. So, I watched TV and the above documentary, in particular.

Episode 1 of King of Lies: Football’s Greatest Con launches the series with an enticing blend of mystery and tension, but it’s not without its stumbles. The premiere does a solid job establishing the central scandal, which revolves around the sale of Notts County Football Club (the oldest professional football club in the world), teasing just enough information to pique curiosity without revealing too much too soon. The opening sequences are atmospheric and stylish, setting a tone that’s equal parts investigative thriller and sports documentary.

The documentary’s greatest strength is its interviews. I was stunned to see Sven-Göran Eriksson pop into the story. The interview is from the depths of sickness shortly before he died. Unfortunately, he gets caught up in it all and quite bizarrely ends up in North Korea at one point!

However, the pacing is noticeably uneven. Some sections feel stretched out, lingering on details that don’t yet carry emotional or narrative weight. The editing sometimes jumps abruptly between timelines or perspectives, which can make the episode feel scattered,

Russell King is the conman leaving ruin wherever he goes. It’s quite a complex con, almost masterful. But it’s impossible to see his out. He needed the con or new cons to keep being successful, to not get caught.

An interesting documentary. I learned that you can’t get people to do what they don’t want to. The art of persuasion is giving them a reason to do what they want.

Yes, so, not sure if that’s a positive, but what the hell.

It gets three stars out of five from me.

Have you seen it? What do you think?

Episode 1 of King of Lies: Football’s Greatest Con is currently available on Sky Documentaries.

A Review of Netflix’s ‘Being Eddie’: Insights and Reflections

Anybody within seven or eight years of my age (I’m forty-six) would have fond memories of Eddie Murphy. I still remember seeing Beverly Hills Cop for the first time. A great film that would never have made it without him. It was the first time I saw on-screen a black character who was clearly more intelligent than the white people around him. All the curses stuck out as well.

But what happened to him recently? I haven’t heard his name in an age. I was also interested in what other aspects of his life were like.

That’s why I watched the documentary “Being Eddie” on Netflix a couple of nights ago.

If you are looking for something visceral, raw, then this is not it. Some critics think it’s more like a prelude to him returning to stand-up more than anything else. It retreats from anything awkward/contentious. He comes across as a family man and reminisces about voicing the donkey in Shrek. There is nothing about the paternity suit with Mel B, for example. He has ten children. Musk would be proud.

The best part is when it just lets him speak. I found his tendency towards OCD intriguing. Great minds appear to have a likelihood for such things, and I doubt it’s a coincidence.

He also brings up that he has never won an Oscar, despite his great performances and sometimes playing multiple characters in the same film. I wouldn’t worry about it if I were him; their value has greatly diminished over the years.

The interviews with other comedy legends, Dave Chappelle, Chris Rock, Jerry Seinfeld, Kevin Hart, and more, show what a powerful influence he was on the industry. They all say nice things. What a pity!

I give it three stars out of five. It’ll make you feel warm. Just don’t expect anything beyond the bland, though.

Have you seen it? Let me know what you think.

Netflix’s The Last Czars: Drama, History, and Flawed Royals

Well, let’s face it. Russia is fairly topical at the moment. But how did we get here? Well, any story about Russia has to include the Romanovs, who ruled for 300 years. The Last Czars is an ambitious attempt by Netflix to blend historical documentary with dramatized storytelling, chronicling their downfall —and the rise of the Bolsheviks. The result is an intriguing, visually lavish production that succeeds in moments but often struggles to find its identity.

The lavish costumes, ornate set designs, and snowy Russian landscapes evoke the grandeur—and isolation—of the Romanov dynasty. The performances, especially Robert Jack as Tsar Nicholas II and Susanna Herbert as Alexandra, bring depth to historical figures often seen as symbols rather than people. And rather flawed people they turn out to be.

At times, I felt sympathetic to their plight as their Empire collapsed around them. Other times, not so much as they make one poor decision after another. The Bolsheviks shouldn’t have shot the children, but Nicholas II and Alexandra cared little for the ordinary Russian. It reminds me of someone, I can’t quite put my finger on it.

The most interesting character is, of course, Rasputin. He is someone I have always been interested in. A religious man. God saves sinners; therefore, it is important to sin. Only then can you ask for forgiveness. He tries his best to drink and to make love to as many women as possible. God bless, he loves his God. The Romanovs fall under his spell, a sick son creating a wedge between them and their people (well, she’s German, it’s complicated).

The inclusion of documentary-style narration and expert interviews gives the viewer valuable historical grounding. However, this same hybrid format is also the show’s greatest weakness. The constant switching between drama and documentary can feel jarring, breaking immersion and undercutting any attachment to what is happening.

Personally, I found it a bit of a struggle to keep watching. Three stars out of five for me. If you’re committed to hours of TV every day, give it a try. If time is precious, there is much better out there.

But let me know what you think? Have you seen it?