I remember when I first watched an episode of The Walking Dead, an American post-apocalyptic horror drama of the Zombie kind, I was entranced. Still, little did I think I would be watching one of many spin-offs fifteen years later. I guess that the joy of watching people getting eaten alive was also missing from other people’s lives.
The third season of The Walking Dead: Daryl Dixon proves that this spinoff isn’t just surviving — it’s thriving. After two strong installments set against the haunting backdrop of post-apocalyptic France, Season 3 expands the world once again with confidence, style, and surprising emotional depth.
Norman Reedus delivers one of his most nuanced performances yet as Daryl. He’s still the gruff, resourceful loner we’ve always known, but this season gives him space to show real growth — vulnerability, reflection, and a renewed sense of purpose. Watching him evolve from a weary wanderer into a reluctant leader and mentor feels deeply satisfying, especially for fans who’ve followed him since the early days of The Walking Dead.
It’s humorous to think now that when he first appeared, I was sure he could not be trusted and would come to a quick end. I’m sure there is a lesson in there somewhere.
One of the biggest highlights is the long-awaited reunion with Melissa McBride’s Carol Peletier. Their chemistry is nothing short of electric — equal parts tenderness, tension, and mutual respect. Every scene between them is a reminder of why their bond remains one of the emotional cores of the entire Walking Dead universe. Together, they bring a warmth and familiarity that beautifully contrasts with the harshness of the world around them.
Visually, Season 3 is stunning. The European landscapes — this time making powerful use of Spain’s dramatic scenery — give the show a unique texture and sense of scale. The cinematography is gorgeous, balancing moody atmosphere with bursts of kinetic action. It’s clear that AMC has invested heavily in production quality, and it pays off: this season looks and feels more cinematic than ever.
The writing, too, feels sharper and more purposeful. Themes of faith, survival, and belonging run through every episode, but they’re handled with restraint and maturity. The show doesn’t rely solely on zombie horror — it explores what it truly means to rebuild and to believe in something again after the end of the world.
Nothing’s perfect, though. Some of the landscapes just didn’t look apocalyptic enough. It looked too ordered. The show needs one of its main characters, whether in a spin-off or not, to die an agonizing death. I need to feel some dread.
Season 3 gets five stars out of five from me. It’s currently available on Sky Max.