Don’t watch “The death of Bunny Munro”

Well, ladies and gentlemen, this is a series currently being aired on Sky. It is not for the faint of heart and can be quite dark at times. Any comedy is pretty black.

It follows the life of Bunny, played by Matt Smith, and his unfortunate son (Bunny Junior). Bunny is a narcissistic womanizer who uses the people around him to his own end. His only redemption is his son, who idolises him at first but gradually sees him for who he is.

It starts with the suicide of Bunny’s wife leaving him as the sole caregiver for his son. This is not the story of someone embracing their responsibilities and rising to the plate. Bunny and his son go on the run to avoid social services. At the same time, a horned serial killer is on the loose.

Bunny shows himself to be a truly disgusting character as he slips deeper into the abyss.

At some point you realize this is a story about the son. The only message I got was that Social Services do a vital job.

You have to suspend your reasoning. There is no police alert about the missing child. They spend hours driving around but all roads lead to Brighton.

The ending is nonsensical and I wasn’t bothered by Bunny’s death at the end. He was too unlikeable.

I give the series two stars out of five. You’ll find something better to do with your time.

So have you watched it? Let me know what you think.

Distant Love (Part 47)

“I am indeed.”

The lady walks over and wraps him in a warm embrace. “Thanks so much for everything you’ve done for Maeve. I don’t know what we would have done without you!”

“There is no need to thank me. I would do anything for her.”

The lady takes a step back, looking into his eyes. He can see her wrinkled, weather-battered face now. Still, there is a beauty there, mixed with determination. “You can call me Jessica.”

She waves her hand for Derek and Maeve to follow her. Derek’s wheelchair bobbles up and down on the uneven, pebble-filled surface. It bothers him, not.

Jessica points at one of the few buildings. An unappealing, simple building that is somewhat derelict. “That was once the most northerly post office in the UK.”

Derek and Maeve look at each other in confusion.

“Oh lord,” Jessica says in exasperation, “doesn’t anyone teach you young people history anymore? The UK, or the United Kingdom, once had an empire so large that the sun never set. And now, it might as well have never existed. I guess that the northerly part is lost on you two, you being from space and all.”

Jessica continues muttering to herself as they start to make their way up a road.

Review of Death by Lightning on Netflix

Hi readers. I do hope you are all keeping well. I’ve been watching this gem over the last week.

From Wikipedia :

The series depicts the election and presidency of James A. Garfield, the 20th United States President, including his anti-corruption and pro-civil rights stances, as well as how his path crossed with Charles J. Guiteau, a deluded admirer, who ended up shooting him, leading to Garfield’s death.

It states at the start that Garfield and Guiteau had been lost to history. And well, I’d never heard of them.

Visually, the series shines. It really takes you back to the 1880s. I loved the scenes of old New York, although I still had the feeling they were CGI. There’s something about the time period of the late nineteenth/early twentieth century for storytelling.

From the very first episode, the show establishes a distinct identity, depicting an accidental President.

We are also introduced to the troubled Guiteau. Gradually, he is overcome with delusions.

Michael Shannon gives a satisfactory performance, though it can be wooden at times. I think what I like best was the show’s depictions of the time.

The historical record is, in a way, a hindrance, as the show comes to an end just as it was getting going.

For that reason, it gets 3.5 stars out of five.

Distant Love (Part 46)

A few moments pass, and it comes into view. White dots surrounded by green jutting out of the ocean.

“Is this it?”

“It sure is.” Her voice is full of excitement.

More interesting than the moon, I suppose.

The ship comes to a halt, and Derek feels the vibration of the landing thrusters firing. A few seconds later, a thud as it hit the ground.

Derek shakes. The reality of landing on an alien world hits him.

“You okay, Derek? My Auntie is waiting for us. Everything is going to be fine.”

She places her hand on his shoulder, and he turns the wheelchair.

They go to the rear of the ship, and the hatch opens. A silver-haired, plump woman is waiting for them at the bottom of the ramp.

Maeve rushes forward and wraps her arms around the older woman.

Derek drives down the ramp before coming to an abrupt halt. The smell of the sea, the beautiful cloudy sky, the feel of the wind on his face, it’s so different.

Maeve looks back at him and frowns. “You okay, Derek?”

He looks over at her and smiles. “Oh, yes. I’ve never experienced anything like this. To hear the waves and the wind. I knew it would be different, but this is incredible.”

The grey-haired woman then spoke. “You must be Derek.”

Review of Walking Dead: Daryl Dixon Season Three

I remember when I first watched an episode of The Walking Dead, an American post-apocalyptic horror drama of the Zombie kind, I was entranced. Still, little did I think I would be watching one of many spin-offs fifteen years later. I guess that the joy of watching people getting eaten alive was also missing from other people’s lives.

The third season of The Walking Dead: Daryl Dixon proves that this spinoff isn’t just surviving — it’s thriving. After two strong installments set against the haunting backdrop of post-apocalyptic France, Season 3 expands the world once again with confidence, style, and surprising emotional depth.

Norman Reedus delivers one of his most nuanced performances yet as Daryl. He’s still the gruff, resourceful loner we’ve always known, but this season gives him space to show real growth — vulnerability, reflection, and a renewed sense of purpose. Watching him evolve from a weary wanderer into a reluctant leader and mentor feels deeply satisfying, especially for fans who’ve followed him since the early days of The Walking Dead.

It’s humorous to think now that when he first appeared, I was sure he could not be trusted and would come to a quick end. I’m sure there is a lesson in there somewhere.

One of the biggest highlights is the long-awaited reunion with Melissa McBride’s Carol Peletier. Their chemistry is nothing short of electric — equal parts tenderness, tension, and mutual respect. Every scene between them is a reminder of why their bond remains one of the emotional cores of the entire Walking Dead universe. Together, they bring a warmth and familiarity that beautifully contrasts with the harshness of the world around them.

Visually, Season 3 is stunning. The European landscapes — this time making powerful use of Spain’s dramatic scenery — give the show a unique texture and sense of scale. The cinematography is gorgeous, balancing moody atmosphere with bursts of kinetic action. It’s clear that AMC has invested heavily in production quality, and it pays off: this season looks and feels more cinematic than ever.

The writing, too, feels sharper and more purposeful. Themes of faith, survival, and belonging run through every episode, but they’re handled with restraint and maturity. The show doesn’t rely solely on zombie horror — it explores what it truly means to rebuild and to believe in something again after the end of the world.

Nothing’s perfect, though. Some of the landscapes just didn’t look apocalyptic enough. It looked too ordered. The show needs one of its main characters, whether in a spin-off or not, to die an agonizing death. I need to feel some dread.

Season 3 gets five stars out of five from me. It’s currently available on Sky Max.

Distant Love (Part 45)

The ship finally stops rattling, and a blue sky appears with white puffy shapes below.

Maeve shouted back to him. “It’s amazing, isn’t it?” That’s clouds below us.”

“Wow, much more beautiful than the moon.”

She looks back and smiles. “You haven’t seen anything yet!”

There is a crackling sound over the communications array –

“You are about to enter His Majesty’s airspace. This is an unscheduled flight. You have sixty seconds to identify yourself. Otherwise, the aerial defence system will be activated.”

Derek’s heart sinks. “What do we do now?”

Maeve twitches her fingers. “I have an idea.”

She then replies, “This is the vessel 4573 requesting permission to enter. Code Alpha Beta Two niner omega tr34”

The voice replies, “You are cleared to land.”

The thought crosses Dereks’ mind – How did she know what to say?

Seconds pass, and the ship descends below the clouds. A blue sea is revealed. Derek’s eyes open wide with wonder. It is one of the most beautiful things he has ever seen.

“Incredible, isn’t it?” Maeve says in a hushed tone.

“Yes. Yes, it is.”

“The island will shortly come into view. It will be unlike anything you have seen before. Let’s hope you like it.”

A House of Dynamite: A Thrilling Perspective on Nuclear Crisis

Happy weekend to all my readers. I had the good fortune to watch “A House of Dynamite” during the week.

A nuclear missile is fired towards the United States. What follows is a masterclass in contemporary suspense. The film’s structure is bold: it essentially shows the same 18 minutes (or the timeframe of the missile threat) from several perspectives — intelligence, military, and White House. This different point-of-view approach illustrates how separate parts of the US military and government respond to the crisis.

Whether the nuclear warhead actually detonates, and what then happens, is not part of the film. Under the direction of Kathryn Bigelow, the film plunges the viewer into a high-stakes nuclear crisis with astonishing realism. The sense of urgency is almost physical — Bigelow keeps the camera moving, the editing sharp, the clock ticking.

Some viewers might find the repeating structure (showing the same timeframe from different angles) slightly repetitive, but I enjoyed it. Others may find it frustrating that questions go unanswered. I find it apt. I see the ambiguity as intentional, just like the real-life situation would be.

The film is more than entertainment: it’s a wake-up call about nuclear deterrence, about systems we (or at least the Americans) trust being fallible.

The movie boasts a stellar cast: Idris Elba, who looks much older than when I last saw him, gives a grounded, urgent performance as the U.S. President. His chances of being 007 are now gone, though. Rebecca Ferguson and Gabriel Basso hold their own in the thriller’s pressurized settings.

The characters feel real under pressure — not caricatures of power, but people making impossible decisions in impossible times.

If you’re in the mood for a film that makes you hold your breath—and keeps you thinking after—it’s absolutely worth watching. Five stars out of five for me.

Distant Love (Part 44)

Hours pass, and the magnificent habitats come clearly into view. They are cylindrical in shape, with a constant stream of small vessels travelling in between them.

“Looks incredible, doesn’t it, Derek?” Maeve says, both of their eyes transfixed.

“It is. I read somewhere that we’re reaching the tipping point where more people will be living off Earth than on it. Crazy, really, and there’s a huge universe out there for us to colonize.” Derek’s eyes were wide with wonder.

“Incredible, we’d better dock you in place again. We’ll soon start to feel the effect of the Earth’s gravity.”

Derek began to sweat in nervous anticipation. This would be unlike anything he had experienced before.

Their ship descended between the habitats.

The ship shook. It was almost imperceptible.

Derek thought – It is beginning.

Then another shake.

“Don’t worry, Derek. The ship’s onboard navigation system won’t have any difficulties taking us in. Landing on Earth is routine, not like landing on the moon.”

Maeve smirked, and Derek found it odd how reassuring he found it to be.

The rattling increases with each passing moment. The viewport edges turn red.

“We’re going to the top of the second large island off that landmass. You can’t see the small island itself, yet.” Maeve shouted over the sound of the spaceship crashing through the atmosphere.

Distant Love (Part 43)

Hours pass, and the Earth now looms large in the viewport. Derek stares in fascination at the multitude of space habitats now visible in orbit. “Which one is the New Yorker habitat?”

Maeve smiles and holds her hands out in front of him. “There it is. It has a blue hue. See it?”

“Wow, it looks so small, hard to imagine one hundred million people living there. Did you ever visit?”

Maeve stays silent for a moment, then responds, “Yes, I have. It looks small from here, but it actually has a huge living space. There are huge areas with no one. Of course, it’s very crowded in places too. It’s crazy, though, looking up and seeing people living their lives above you.”

Derek drives forward, “Is it true that it is the wealthiest place in the solar system?”

“Oh, yes, no poor people allowed. If you can no longer afford the fees, off back to Earth with you. It’s supposed to be very cutthroat. All smiles to your face, but get lost if you have nothing. I guess that’s why they left Earth.”

Derek nods his head in agreement. Do you know any of the others?”

“Of course, there is New Ireland, that’s Gallois, there’s Quantus. I could go on for a good half day, I’d say, there are so many.”

Distant Love (Part 42)

After some time, Derek asks, “So, tell me about this aunt of yours. You never mentioned her previously.”

“Well, no, I haven’t. But I don’t see her often, so it wouldn’t just crop up. As I mentioned, she resides on the island of Haroldswick in the Shetland Islands. Ever heard of them?” Her eyes opened wide.

Derek nods his head, “No, should I?”

Maeve smiles, “I thought not, they are islands that are part of an ancient country called the United Kingdom. And to be honest, I’d say most people in the UK would have no idea where they are. They are far from the mainland, and all of Shetland has a population of only twenty-five thousand people. And in Haroldwick, only a couple of hundred at best.”

Derek winks, “Should be easy to stay out of the limelight, so!”

“That’s what I’m thinking. I was there, just the once before. Looking out at the sea, and watching the crashing of the waves against the cliffs. It looked unending. And the quaint little houses and streets. The people are really friendly. Nervous of outsiders, but it will be fine once they know about Aunty.”

“Should be fun. I just hope it’s wheelchair-friendly to some degree.”