Review of the film Priest (2011)

Don’t worry, readers, I haven’t gone all ultra-religious on you. Priest (2011) is the kind of movie you’d get if a graphic novel, a goth rave, and a spaghetti Western walked into a bar, got drunk, and decided to raise a CGI vampire baby together.

This could be a good film to show Muslims and people of other faiths. You know, to convert them to Christianity. Of course, we’d have to tell them the more boring reality at some stage. Like, no, you don’t get to kill vampires.

The vampires themselves are pretty odd. Not like ordinary vampires. They have no eyes, and walk on all fours. More like some crazy aliens.

The story has nothing to do with reality, of course. It’s way out there, and that’s bad coming from me.

From Wikipedia –

A centuries-long war between humans and vampires devastated the planet’s surface and led to a theocracy under “The Church”. Despite vampires’ vulnerability to sunlight and humans technological advancements, their strength and speed made them impossible to defeat until humanity sheltered in walled cities and trained elite warriors, the Priests, who turned the tide. After the war, most vampires were killed, while the remainder were placed in reservations. After the war, the Clergy abandons the surviving Priests, who struggle to integrate into city society. Outside the walled cities, some humans seek out a living, free from The Church’s totalitarian control.

One particular Priest (only referred to as Priest) is approached by Hicks, the sheriff of a free town, Augustine. Hicks informed Priest that a vampire group killed Priest’s brother Owen and his sister-in-law Shannon, and kidnapped his niece Lucy. Being in love with Lucy, Hicks asks for Priest’s help in rescuing her. Priest asks the Clergy to reinstate his authority, but leader Monsignor Orelas refuses, dismissing the vampire story. Priest leaves the city and Orelas sends three Priests and a Priestess to bring him back.

Paul Bettany stars as a warrior priest in what I would consider to be a good performance. Some of the action scenes are quite brilliant. There were times, though, when a bit too much CGI was used.

I give the film four stars out of five. A great way to spend a spare hour and a half.

Have you seen it? Let me know in the comments.

Distant Love (Part 50)

Derek methodically gets dressed and transfers into his electric wheelchair.

He looks out at the barren moonscape. If this were Earth, something would have changed over the years, perhaps even from day to day. But not here. Exactly the same as the first time he looked out. At times, he would wish for a micro-meteor to add a new rock or small crater to the scene. Today, it would not bother him as there would be plenty of new things to see.

The fair was in Zone A. It was one hundred and fifty kilometres away. A serious lunar trek made easy by lunar rail. He checks his watch and smiles – plenty of time.

Moving his joystick, the wheelchair powers out of his room. He looks down at the floor beneath him. As expected, it is largely deserted at this early hour. A strong smell of detergent lingers in the recycled air from the robotic cleaners whose shift had just ended.

Driving past his workplace, he chuckles at all the work he left for the new girl, Nathalia. He knew she wouldn’t be impressed when her shift started.

Next, he went down on the lift to the main communal area. Later, the place would be bustling with traders and people coming and going. He was happy to get ahead of it all.

Colin Farrell’s Haunting Performance in a Macau Gambling Drama

Some films linger in your mind long after you would think. They make you think, leaving a permanent mark on your mind. Ballad of a Small Player is one of those films. It reminds me of Leaving Las Vegas, except this time a gambling addict rather than an alcoholic is the central figure. And it’s set in Macau, the gambling Mecca of China.

Colin Farrell is back! His first film in quite some time. He gives a committed, raw, and deeply haunting performance as Brendan Reilly, aka Lord Doyle — a once-privileged con man now at the mercy of his gambling addiction and debts. He embodies both the swagger and fragility of a man on the brink.

His luck has deserted him, and the walls are closing in on all sides. Reilly meets Dao Ming, an enigmatic credit broker.

Comforted by Reilly after one of her despondent clients jumps to his death, a guilt-stricken Dao brings him to a temple on the water for the first night of the Ghost Festival. Though she fears her own luck has run out, Reilly believes his fortune can turn in both their favor. However, he wakes up alone with a number written on his hand.

What follows is a complex, somewhat fantastical tale about a gambler whose fortune changes when he needs it most. But now he fears for his soul as he engages in a dangerous waltz to come out the other side.

I give the film four stars out of five.

Have you seen it? Let me know what you made of it in the comments.

Distant Love (Part 49)

The conversation shifts to Maeve’s many cousins and what they are up to. Hours pass over tea and biscuits.

The room grows dark. At first, the light is switched on, then the blinds are drawn, and the conversation turns to where they will sleep.

“There’s a nice little bed for you, Derek, beside the front door. It could be quite tight with the wheelchair, though. And Maeve, you can sleep in the bed beside mine.”

She was right. There was no chance of turning the wheelchair into the room. Derek crawls out of the wheelchair and into the low-rise bed.

Exhausted now, he thinks of what a crazy day he’s had.

His eyelids close, and he drifts off.

*************************

Three weeks previously…

An alarm goes off in Derek’s room. He stretches and opens his eyes. For the first time in quite a while, he can’t help but feel enthusiastic about what lies ahead.

No work, no worries. He had been planning this trip for over a month. The Jupiter Fair.

Jupiter had always entranced Derek. A place where you could be free with just the right amount of human civilization. Aviris 6 was the stuff of legend. Get rich or die within 24 hours.

Exploring the Thrills of Stranger Things Season 5 Episodes 1-4

Dear readers, the first four episodes of Season 5 dropped on Netflix a few days ago. And, well, I, being the TVaholic you all know and love, have watched them all.

The first thing to hit me was What the hell is happening again? It’s been so long since Season 4, and my mind has gone a bit rusty. A few minutes later, I was back at my A-game.

A quick reminder from Wikipedia –

After the events of the fourth season, in the fall of 1987, the group seeks to find and kill Vecna after the Rifts opened in Hawkins. The mission becomes complicated when the military arrives in Hawkins and begins hunting Eleven. As the anniversary of Will Byers’ disappearance approaches, the group must fight one last time against a new deadly threat.

It felt all nostalgic and warm to be back watching. Every now and again, it’s great to be reminded just how great the nineteen-eighties really were.

All the loved chair characters are back.

Millie Brown is once more stealing the show. Her relationship with Hop, a resounding theme. Still, there is so much more. You are kept on the edge of your seat, unsure what happens next. At times, especially in episode four, it can be terrifying.

Visually, Series 5 pushes the show to new heights. The Upside Down is more otherworldly and terrifying than ever, and the action sequences are some of the most ambitious in the show’s history. Yet despite the heightened stakes, the season never loses its grounding in friendship, loyalty, and coming-of-age struggles.

It’s well on the way to a high score.

Have you seen it yet? If so, let me know what you thought in the comments.

Why Madame Web Stands Out in Today’s Marvel Landscape

It’s been widely reported that Marvel films lost their shine over the last few years, and I’d agree. Each film seemed to be a rehash of the last one. And the CGI was too overboard. It’s also difficult to get excited when you know that superheroes are almost impossible to kill, so there’s little to really worry about.

Still, I went into my sitting room with an open mind. I’m nothing if not fair. And I’m so happy that I did. Madame Web is a uniquely refreshing entry in the modern superhero landscape—one that prioritizes character, atmosphere, and emotional resonance over the typical barrage of CGI-fueled spectacle.

A new story is finally being told. And she’s not invincible, but rather a haphazard time traveller. In fact, you see her death on more than one occasion. How refreshing. She is trying to protect three teenage girls, aptly played by Sydney Sweeney, Isabela Merced, and Celeste O’Connor. The dynamic between them, and the main character Cassandra Web makes the film. The trio exudes warmth, charisma, and a natural chemistry that gives the story an emotional core. Their scenes together are vibrant and often surprisingly funny, providing a wonderful contrast to Cassandra’s world-weary pragmatism. As their bond develops, the film gains a sense of heart that elevates the entire narrative.

Cassandra Web is played by Dakota Johnson of Fifty Shades fame. Thankfully, this film is much better. It gets five stars out of five from me. My first five stars in quite some time.

Have you seen it? Let me know in the comments.

Exploring Guillermo del Toro’s Frankenstein: A Modern Take

Ah, Frankenstein, the epic tale. It almost feels like a myth passed down thousands of years, rather than coming from the presumably seriously twisted mind of Mary Shelley back in 1818.

Now, it’s after getting the Netflix treatment. Frankenstein is a 2025 American Gothic science fiction film produced, written, and directed by Guillermo del Toro. It is a breathtaking reinterpretation of Mary Shelley’s iconic novel—faithful to its emotional core, yet bold enough to stand confidently as its own work.

From the start, the film establishes a chilling, immersive atmosphere that pulls you into a world where life, death, ambition, and heartbreak intertwine. It’s more than just a monster story—it’s a profound exploration of what it means to be human, and the cost of creating something you can’t control.

You see events unfold from two perspectives: the creator and the monster. In a way, they are each other’s mirrors. One is beautiful on the inside, hideous on the outside. The other is the opposite.

The acting is of a high quality. Oscar Isaac as Victor, the creator, and Jacob Elordi as the monster give powerful performances.

Even though it is a long film, many of the minor relationships feel rushed. Victor falling in love with his brother’s fiancée, and the brothers’ relationship misses the mark. The scene where the fiancée professes her love for Frankenstein is nonsensical. I can only presume important scenes were cut.

For that reason, it’s only three stars out of five from me. Read the book, it’s a classic.

Have you seen it? Let me know in the comments.

Distant Love (Part 48)

Derek feels a stiff breeze blow across his face. “Wow, it’s cold here. Is this not the planet where humans are meant to have evolved?”

Jessica looks back at him with a quizzical look. “Eh, not on this part of the planet. Come on, we’d better get the two of yous inside.”

Soon, she was pointing to a nearby white-finished bungalow. “Come on, this way.”

For a moment, Derek worries his wheelchair is too wide for the door, but fortunately, he has an inch on either side to spare.

Immediately, he feels the burst of warm air. It felt good.

Jessica led them to a small kitchen. “Now, what about a nice cup of tea for the two of you?”

Maeves face lit up. “Oh, yes, please. They are mad about their tea in these parts, Derek.”

Derek smirks. “I’ll have to give it a try, so!”

And lovely tea, it turns out to be.

“So, what’s next?” Jessica asks. Her tone is more serious.

Derek and Maeve look at each other, unsure what to say.

Maeve takes the lead. “Auntie, it was all somewhat rushed. We had to take our chances; there was no time to plan ahead.”

“It’s okay, love, you should be fine here for quite some time. They’d never expect you to come to this remote place. That’s for sure.”

Don’t watch “The death of Bunny Munro”

Well, ladies and gentlemen, this is a series currently being aired on Sky. It is not for the faint of heart and can be quite dark at times. Any comedy is pretty black.

It follows the life of Bunny, played by Matt Smith, and his unfortunate son (Bunny Junior). Bunny is a narcissistic womanizer who uses the people around him to his own end. His only redemption is his son, who idolises him at first but gradually sees him for who he is.

It starts with the suicide of Bunny’s wife leaving him as the sole caregiver for his son. This is not the story of someone embracing their responsibilities and rising to the plate. Bunny and his son go on the run to avoid social services. At the same time, a horned serial killer is on the loose.

Bunny shows himself to be a truly disgusting character as he slips deeper into the abyss.

At some point you realize this is a story about the son. The only message I got was that Social Services do a vital job.

You have to suspend your reasoning. There is no police alert about the missing child. They spend hours driving around but all roads lead to Brighton.

The ending is nonsensical and I wasn’t bothered by Bunny’s death at the end. He was too unlikeable.

I give the series two stars out of five. You’ll find something better to do with your time.

So have you watched it? Let me know what you think.

Distant Love (Part 47)

“I am indeed.”

The lady walks over and wraps him in a warm embrace. “Thanks so much for everything you’ve done for Maeve. I don’t know what we would have done without you!”

“There is no need to thank me. I would do anything for her.”

The lady takes a step back, looking into his eyes. He can see her wrinkled, weather-battered face now. Still, there is a beauty there, mixed with determination. “You can call me Jessica.”

She waves her hand for Derek and Maeve to follow her. Derek’s wheelchair bobbles up and down on the uneven, pebble-filled surface. It bothers him, not.

Jessica points at one of the few buildings. An unappealing, simple building that is somewhat derelict. “That was once the most northerly post office in the UK.”

Derek and Maeve look at each other in confusion.

“Oh lord,” Jessica says in exasperation, “doesn’t anyone teach you young people history anymore? The UK, or the United Kingdom, once had an empire so large that the sun never set. And now, it might as well have never existed. I guess that the northerly part is lost on you two, you being from space and all.”

Jessica continues muttering to herself as they start to make their way up a road.